Dobaaraa box office day 2 collection: Taapsee Pannu’s film

Dobaaraa box office day 2 collection: Taapsee Pannu’s film

Summary:- It will be 20 years for Anurag Kashyap to become a director in Hindi cinema next year. A fan of novels by Alice O’Connor aka Ayn Rand, Anurag has been a writer and director of authentic stories in Hindi cinema. ‘Dobaara’ is his 22nd film as a director.

Day 2 Collection

Talking about Dobaaraa’s film performance at the box office on Day 2, Saturday 20 August 2022 early trends suggest that the Anurag Kashyap directorial showed minimal growth and raked in collections in the range of Rs 65-70 lakhs on its second day of release.

Day 1 Collection

Taapsee Pannu’s latest release Dobaaraa on Friday 19 August 2022 witnessed a poor opening in movies hall. Directed by Anurag Kashyap, the mystery drama had garnered positive reviews and appreciation from several Bollywood celebrities after initial screenings but that failed to translate at the ticket windows, did not huge response from audience, It released on just 370 screens with collections of ₹72 lakh, cut the shows after poor oping in theaters.

Review of Dobaara Movie

Dobaaraa box office collection day by day

Day 1:- 19 August 2022 Friday Release Day Collection- Rs. 72 Lakh

Day 2:- 20 August 2022 Saturday- 70 Lakh

Total Earnings- 1.42 Crore

Click here to open free demat account and earn monney online from home.

Movie Poster

‘Dobaaraa’ inspired by the Spanish film ‘Mirage’

Anurag Kashyap’s new film ‘Dobaaraa’, inspired by the Spanish film ‘Mirage’, has the same pace as Escape Velocity. From the beginning to the end, through the news being broadcast on radio and television, it keeps telling that whenever the storm is visible on the screen, whenever the weather is formed, some such things have been happening, the reason for which even science has not been able to understand. With these assumptions the story of the film begins.

The story is of two different eras, which are connected by an old television. In the first part of the story, divided into two periods, a murder takes place and his eyewitness child dies in a road accident. In the second part of the story, which is happening in today’s time, she sees the same teenager on an old television kept in the house of a woman working as a nurse in a hospital and she stops him from going out. That is, according to this story, now the child does not die.

So now begins the trigonometry of mathematics that if the child does not die, then what will change in that story? And, what if this woman, who became a nurse in her story, will be seen with some other identity in that child’s story?